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It is perhaps the greatest paradox of screenwriting. Writing is surely one of the most solitary, introverted jobs I can think of, and yet, the most successful writers I know can switch on the charm and be among the best networkers in the room. They have a relaxed, easy-going nature in social situations that draws people in.  They are observant, curious people watchers. But they are not watching from the corner of the room, but rather they are taking it all in as an active participant, sharing in the joy and pain of other people’s experiences.

In order to be a successful screenwriter, you must get out there, you must be affable, you must “meet and greet” and you have to know how to be “good in a room.”

by Armaan Uplekar

You’ve written a first draft and have been making small tweaks at the script since. You’ve had some feedback from friends and family and received coverage from a couple of reputable sources. You know the script needs some work and now you’ve got some pretty killer ideas that you want to incorporate into the next draft of your script, but they are going to change things and have ripple effects throughout your story in a pretty big way. Sound familiar?

There’s a saying you’re probably familiar with – writing is rewriting. It might sound like a tired, overused platitude, but it’s also one rooted in truth for several reasons. What this expression is getting at is that writing is, fundamentally, a work in progress. It requires diligence, patience, and the willingness to revisit your ideas in order to get things right. As a result, one of the fundamental aspects of being a screenwriter is the ability to return to your work and improve upon the choices you made in your first draft.

By Armaan Uplekar

There comes an inevitable point in every writer’s process where they are faced with a nagging, vital question – am I ready? Beginning your first draft is an important step in the process of finishing your screenplay, but it’s not always smooth sailing. Many writers struggle with the decision of when to actually commence their first draft.

You might compare the “pre-writing” process to the preparations you take before you go on a trip – after all, when you begin writing that initial draft, you’re going to want to make sure that you have all your bases are covered. With this in mind, here are some checklist items that you’ll want to make sure you have a handle on before you give yourself the green-light to put pen to paper, uh, finger to keyboard - on your next project.

by Armaan Uplekar

There comes a time, in every writer’s work cycle, where they find themselves on the lookout for the next great “spark.” An idea that will not only excite and invigorate their creativity, but that could potentially connect with an audience once the story is translated to the big-screen. By inverse, there’s also the inevitable period in which you, the writer, find yourself struggling to settle on what to write.

Some call it a block, some attribute it to just a part of the creative process, but the search for inspiration is something that is part and parcel of what it means to write. There are a variety of ways you might be able to get the creative juices flowing, but we’re going to dive into seven exercises and ideas you can easily implement in order to focus on your next big script.

#8 PURPOSE

The greatest writers I know are motivated, driven and constantly wanting to know more, do more and be more. They strive for something beyond themselves. They have a strong sense of purpose and a desire to be the best.

The smartest writers consistently seek out motivation. They are driven by necessity. There is a reason why they write, and there is a reason they continue to write. There is nothing else they’d rather do.

Know your why! Know why you must write and what motivates you to write. Know what you want and how you intend to get it; not just in your story, but in your career, and out of life. Have a purpose greater than writing. Write because it transforms others, write because it transforms you, write because it is an escape, write because it is an answer. Ask yourself, why do you write? And remember, the more purposeful the answer, the better!

Rewrites are, of course, a crucial part of screenwriting. They put you closer to refining your narrative as you iron out potential hiccups and inconsistencies that might disengage a reader from your story. I’m not even talking about a complete pg 1 rewrite; merely redrafting specific scenes to improve the story, moving scenes around to better structure each act, and rewriting dialogue to better convey character intentions and subtext -- these are big undertakings that can take days or even weeks to straighten out. You start fixing one thing, and it effects how other things play out, and before you know it you’ve got an even bigger mess to fix. 

Rewriting is a literal house of cards. But once all that is said and done and you’ve got your story exactly where you want it, what are those small tweaks you can make that will take a script from good to great, from perfect to outstanding, from enjoyable to memorable? What can you do to your script right now to seal the deal with the next executive who reads your screenplay? Here are a few tiny improvements you can make to your script right now, that will add the necessary polish, sparkle and shine to make your script stand out for all the right reasons!

#17 OPEN-MINDEDNESS

The most successful writers do not pretend to know everything. Rather, they each have a natural sense of adventure to experience the world and interact with new and different people. They are continuously learning from others and about oneself. It is in these experiences that the building blocks for accessible and relatable stories and characters begin. 

Being open-minded requires tackling one’s own fear of the unknown. Don’t shy away from things you don’t completely understand. Take a keen interest in them and learn what you need to learn to understand, approach and tackle the unknown with zeal and passion.

The most successful screenwriters are the ones who show a deep understanding and appreciation for the journey others have taken, a general keenness towards others, internalizing the feelings of others, and the desire to share those experiences with others.

To be able to identify the emotional core of a person’s story, one must be able to identify with the emotional core of the person. Successful screenwriters all have a deep understanding and a great appreciation for the human condition. They question and examine the world around us in ways few would dare. They have a talent and innate ability to recognize what makes us human, and they use that ability like a carpenter uses a chisel. Empathy is an essential tool in the writer’s toolbox.

As we gear up for another exciting season of the Fresh Voices Screenplay Competition and as we continue to bring on new readers and judges for our tenth season this year, I thought it would be a good opportunity to remind you, the screenwriters, of those questions our judges are asking about your material as they read, and that you should probably be asking about your screenplay too.

The important point for the writer is to answer these questions honestly, objectively and impartially; and therein lies the rub. This is no easy feat for a writer who has spent weeks, months and even years researching, developing and crafting their story. It is not easy to step back and see the work as strangers would. That is where we come in -- a fresh set of eyes to review your work with an unbiased and constructive approach to benefiting future drafts of your material.

So here are the 15 questions our readers ask about your screenplay as they read, that you should probably be asking yourselves too!

And remember, until July 7^th, Fresh Voices Screenplay Competition is offering the chance to receive your scorecard and feedback for free. Enter this week, request the 1-page script evaluation, use promocode FREEFB50 at checkout and we’ll send you your judge’s notes as well as your score to each of the fifteen-point checklist below – FOR FREE!

FORMAT - There are specific guidelines for writing screenplays. The format of your script is the first impression. A script that does not have proper formatting lacks professionalism. Formatting allows an experienced reader to scan material in a way that he or she understands what is happening and what is being said, without being bogged down in dense prose. Are the guidelines and industry standards being met?

VOICE - The voice is the style and personality with which you write. A writer's voice should paint a clear and vivid picture for the reader and resonate after the material has been read. The voice of the writer should be evident in every aspect of the screenplay. The voice is based upon the hundreds of decisions the screenwriter makes in their choice of words, descriptions, sentence structure as well as how they craft their story. Does the voice exude confidence? Does the audience feel as if they are in capable hands? Is there a unique style to the writing?

PREMISE/ CONCEPT - How clear is the premise to identify? Is it a high concept premise, or low concept? Is it a genre driven concept, or character driven?

STORY- The story includes the hook, the set up and the pay-off. Do the first ten pages hook the audience and is the story engaging enough to sustain our attention for a full 90 minutes or more?

TONE - Tone is most likely determined by genre, so the question here is how well the tone of the screenplay compliments the genre. Does the horror film scare you? Did the comedy make you laugh? If it it’s a mix of genres, do they clash, or do they work well together?

THEME - The theme of the film is what you want people talking about when they leave the cinema. Why do we care? Beyond the story and characters, what is the film about and what is it trying to say?

STRUCTURE - Does the screenplay have a clear 3 act structure with an identifiable beginning, middle and end? If not, does the untraditional structure benefit the story in a purposeful way? Does the end of act one challenge your protagonist, pose a question or force him/her to make a decision?

• #7 Discipline

One of the greatest qualities all successful writers share is discipline. Discipline is the ability to impose a strict routine unto yourself and stick to it. The discipline to be the boss of yourself. To face the blank page and to write, to create, to imagine.

Discipline requires mental fortitude to keep on track, to work even when you don’t feel like it, and to deliver quality results with no one looking over your shoulder.

Discipline is the ability to look at your own work objectively and know when you need to expect more and demand more from yourself. It is the ability to push yourself towards higher levels of excellence and not finish until you’ve exceeded your own expectations.