1000x500 article banner keep you creative

If you’re like me, a vigorous workout at the gym leaves you exhausted, physically spent, with nothing left to give. The last thing I want to do is to try and be creative. That said, we know it is scientifically proven that exercise is the key to keeping the body and brain, healthy and in top form.

We asked six screenwriters what exercises they do to keep motivated and keep the creative juices flowing throughout the day. Here is what they had to say!


Jerome Velinsky smallHOLLYWOOD, CA. April 9, 2018   Australian native, Jerome Velinsky, took the Grand Prize Award of the 8th Annual Fresh Voices Screenplay Competition this week for his dramatic thriller, THOSE WHO HEAR. The screenplay also won the Spotlight Award for Best Role Written for a Female Lead.

Jerome is an award-winning writer/ director/ actor from Melbourne, Australia. As a professionally trained actor, he has appeared in productions in the US, Australia and Canada including the long-running hit series Neighbors and Fox’s Backstrom. He has also appeared in feature films alongside Guy Pearce, Miranda Otto and Sam Neill in the controversial true story In Her Skin and portrayed the notorious 'Marco Capobianco' in Season 4 of Australia's leading drama series Love Child. Most recently, Jerome co-created, produced, directed and starred in the comedy series Method, for which he has just been nominated for a 2018 Australian Directors Guild Award for best online series.


hollywood sign Cropped3 Essential Keys For Writers, To Guarantee Your Script Gets Read

Getting your script read as an unknown writer in Hollywood can be a tricky game. Even when a script is received at an agency or production company, whether it has been solicited or not, it will often end up in their “circular file”.

There are many steps an aspiring screenwriter must undertake to ensure their script is received and read by agents, managers, and producers, but how do you know your script is going to be given serious and thoughtful consideration? Many of these steps are vital in the process, but many others are the result of overthinking trivial issues. Whether you have the WGA registration number on the cover page is not going to make or break your script people! I have seen forums dedicated to the issue.

To be quite honest, such issues will never really matter much as to whether you get signed, your project gets made, or if the script even gets read. There are however three keys, that if adhered too, will always ensure your script receives a warm welcome and will always be read with fervor.


Dream Sequences Article3 Dream Sequences You Must Avoid Writing

Few things are as electrifying to write for a screenwriter as the dream sequence.  These sequences come in many shapes and forms and serve many purposes: Prophetic visions of things yet to pass; flashbacks hinting at a character's tragic backstory; abstract visualization of a character's psyche—the variations are endless!  But all too often, even an experienced screenwriter will fall back on a dream sequence to advance their story, and cause these complex narrative devices to feel familiar, forced, and out of place.

But why do so many writers feel the need to include dream sequences in their scripts? The answer is quite simple: Dream sequences are fun and easy to write because they allow a greater freedom to defy the rules. But writing a dream sequence because it’s fun can’t be the only reason to insert one into your script. Unless the dream sequence is established in such a way that it feels fresh and purposeful, it will ultimately become just a narrative crutch.

Always be sure your dream sequence clearly advances your story and your character’s journey. Like the often-overused voice over, if it doesn’t fit seamlessly into the narrative and gel with the tone of the film, it will only serve to distract your reader.

Here are three overused dream sequences you will want to avoid unless it serves a clear purpose to your story and your characters.


Taking Time-Travel To Another DimensionFour Tips to Writing Time-Travel Screenplays that Sell

In my experience reading and evaluating screenplays, I’ve noticed an obvious trend amongst so many science fiction and fantasy writers:  You really love time-travel!  As a genre fan whose written a few scripts myself, I always found time-travel to be one of the most daunting subjects in speculative fiction.  So much research and thought must be put into an exciting time-travel story that makes sense to the audience, just thinking about it makes my head spin!  Which is why I’m surprised so many young writers insist on jumping into the complex dimensions of our space-time continuum. 

Here are four tips all future science-fiction writers must consider if you're hoping to sell the next Terminator or Back to the Future.


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